Pacsirta
Directed by Béla Paczolay
The Chalenge
As lead graphic designer, I played a key role in shaping the graphic identity of Baptiste Season 2. While most of the series was filmed in Hungary, I worked closely with my team in the production office to create the majority of the graphics. Alongside designing, I managed and guided the graphic artists on my team, coordinated with printing vendors, and collaborated with the production designer and director to ensure all graphics aligned with the creative vision.
During the pandemic-induced production halt, a portion of the series was filmed in England, requiring me to collaborate remotely with the UK art department to maintain consistency. Frequent online communication ensured the established aesthetic remained cohesive across locations.
Designing elements for the Hungarian police station was particularly rewarding. I created a marquetry wood floor and an intricate inlaid map of Europe, both becoming striking centerpieces that reflected the space’s grandeur and authenticity. Beyond this, I crafted a wide range of graphics—street signage, prop documents, digital interfaces, and evidence boards—each meticulously designed to enhance storytelling and capture the series’ dark tone. Despite tight deadlines and the challenges of remote collaboration, my team’s effort and attention to detail ensured a visually compelling result that exceeded expectations.
Bringing the Vision to Life
As lead graphic designer, I played a central role in shaping the graphic identity of Baptiste Season 2. During the pandemic, I worked remotely from Hungary, collaborating closely with the UK art department to maintain a cohesive visual aesthetic across all filming locations. Frequent online communication was essential for exchanging references, reviewing designs, and ensuring every graphic aligned seamlessly with the show’s dark and intricate tone.
One of the most rewarding aspects was designing elements for the Hungarian police station, a key location in the series. The process included creating a stunning marquetry wood floor and an intricate inlaid map of Europe, both of which became striking centerpieces for the set. These highly detailed features not only added authenticity but also enriched the storytelling, reflecting the grandeur and authority of the space.
Beyond the police station, I crafted a wide array of graphics, including street signage, prop documents, digital interfaces, and police evidence boards. Each piece required meticulous attention to detail to capture the series’ complex, moody atmosphere. The challenge of designing for locations I couldn’t physically access was met with thorough research and constant dialogue with the UK team to ensure accuracy and consistency.
Despite the logistical challenges posed by COVID-19, our collaboration paid off. The final graphics seamlessly integrated into the narrative, elevating the immersive world of the series. The team’s commitment to quality and creativity, even under extraordinary circumstances, ensured a visually compelling result that exceeded expectations.
