I have been part of the FBI: International team since its first season, helping to establish the series’ distinct graphic style that sets it apart from other Dick Wolf productions. Collaborating closely with the production designer, set decorators, props department, and directors, I helped define a visual language that authentically reflects the diverse European settings and cases featured in the show. Every graphic, from hero pieces like top-secret missile transport containers to subtle details like police posters or ice cream cups, was crafted to enhance the storytelling.

With only a few weeks to design, produce, and install graphics for each episode, the fast-paced production required rapid and precise decision-making. There was no room for error, as delays could disrupt the schedule. Even with complex tasks like creating intricate blueprints or designing graphics for multi-language settings, our team delivered high-quality results on time.

Starting in pre-production, I helped shape the visual identity of the series, drawing on my experience to ensure authenticity and consistency. The dynamic nature of the show, with its ever-changing locations and storylines, required creativity and adaptability, and my contributions have helped FBI: International achieve the exceptional quality expected of a Dick Wolf production while bringing something fresh and unique to the FBI universe.